Leo Arnold with Jo Baer

SACCADES

★★★★☆

On until 5 April 2025

Arnold’s landscapes want you to pay more attention to their interruptions than the subject itself. If you imagine the painter mounting a ladder in some field so he can reach the treetops on his large, thickly covered canvases, you would also need to notice the meteorite brutally cutting the sky in half. How the artist survived its impact, before witnessing it again the next day, is the very question of art and nature. 

This trick is disarmingly simple, of course, as is the exhibition’s pairing of Arnold’s paintings with Baer’s off-hand architectural follies. One dare not ask for more.


notes and notices are short and curt exhibition reviews. Read more:

Theodore Ereira-Guyer, Jandyra Waters: We Lost Lots of Beautiful Things at Elizabeth Xi Bauer

Theodore Ereira-Guyer, Jandyra Waters

We Lost Lots of Beautiful Things

★★★★☆

The human mind is mimetic – all art is representation.

HelenA Pritchard, The Homeless Mind at TJ Boulting ★★★☆☆

HelenA Pritchard

The Homeless Mind

★★★☆☆

Death by debris falling from building façades is an artist’s occupational hazard.

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm

★☆☆☆☆

This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.

James Welling and Bernd & Hilla Becher at Maureen Paley ★★★☆☆

James Welling and Bernd & Hilla Becher

★★★☆☆

Welling’s veneration of brutalist concrete borders on fetish.

Celia Hempton, Transplant at Phillida Reid ★★★☆☆

Celia Hempton

Transplant

★★★☆☆

Sense finally returns only outside the gallery.

Joanne Burke, Oes with works like Esses at Soft Opening ★★★★☆

Joanne Burke

Oes with works like Esses

★★★★☆

Hot metal is that, like water, it spills away from the mould.

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