In this art world, nobody wants to look at art because they’re too absorbed in their fragile subjectivities.
Evidence is mounting that ‘following the science’ was all politics and the horrific human and economic cost of pandemic policies necessitates a full inquiry into the making of the Covid consensus.
Art has a long history of engaging with violence and contemporary artists often follow this tradition. Kaelan Wilson-Goldie tracks the contradictions inherent in the practice of aesthetics under the conditions of conflict.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? These apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art…
Crisis? What Crisis? The lack of a single dominant voice in criticism is not a weakness, but a strength.
What forms of knowledge do artists produce in their often speculative and yet purposeful approach to generating research? Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems.