Abramović wants to destroy all performance and all women until she holds the monopoly over stage death.
We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms.
Why do visual artists write novels? How should such a novel be experienced? How do artist’s novels compare or compete with literary fiction as we know it?