Sylvie Fleury

S.F.

★★★☆☆

On until 4 November 2023

A tall woman wearing Louboutin heels and a Givenchy suit, clutching a Fendi purse strides confidently through a museum. She gestures at the displays as she passes: this Stella, that Judd. A gaggle of faggy curators follow her adoringly. They Tweet out anonymous allegations of sexual abuse to #MeToo the male artists. Long live the feminine museum! Now she drops off her car at the mechanic’s shop, dressed down to Armani. Those Pirelli calendars must go, here’s some Playgirl instead. Women drivers rule! 

The screenplay for ‘a day in the studio with Sylvie Fleury’ just writes itself. Sadly, she didn’t make the film but the props are all in the show. A counterfeit Pistoletto mirror has that woman bending over a Moschino shopping bag. Designer shoes are strewn across a fake Andre tile floor. And there’s Chanel nail varnish in the mechanic’s office for his buff mate to try on.

In Fleury’s car workshop cum womenswear boutique, everything is ready-made and ready-to-wear. But you can’t touch any of it and you certainly can’t afford it. This is feminism for trophy wives and capitalist critique for the 1%. So clean, so safe, so Swiss!


notes and notices are short and curt exhibition reviews. Read more:

Freudian Typo at Delfina Foundation ★★☆☆☆

Freudian Typo

Condensed Word, Displaced Flesh

★★☆☆☆

The problem of artists who confuse graphic design with art is that they also mistake sloganeering for critique.

Liquid Tongues at the Polish pavilion in Venice ★★☆☆☆

Bogna Burska and Daniel Kotowski

Liquid Tongues

★★☆☆☆

Liquid Tongues is a collaboration between two artists and a community choir of deaf and hearing people. Despite drawing on many ideas, the film lands a generic, corporate look. Were Burska and Kotowski not aware of the rich history of linguistic…

Nicola Singh: Sincere Seeker at Cubitt ★★☆☆☆

Nicola Singh

Sincere Seeker

★★☆☆☆

What would it take for art to look like something, anything once more?

Saccharine Symbols at Rose Easton ★★★☆☆

Marisa Krangwiwat Holmes, Shamiran Istifan, Tasneem Sarkez

Saccharine Symbols

★★★☆☆

Meaning parts with the image in this exhibition, never to return. Post-structuralism triumphs.

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson

Opening

★☆☆☆☆

This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

Elena Njoabuzia Onwochei-Garcia: Grown at William Hine ★★★★☆

Elena Njoabuzia Onwochei-Garcia

Grown: The Altering of Innocence and Experience

★★★★☆

These fables are pure pleasure to narrate, yet their references overwhelm.

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