Sylvie Fleury


On until 4 November 2023

A tall woman wearing Louboutin heels and a Givenchy suit, clutching a Fendi purse strides confidently through a museum. She gestures at the displays as she passes: this Stella, that Judd. A gaggle of faggy curators follow her adoringly. They Tweet out anonymous allegations of sexual abuse to #MeToo the male artists. Long live the feminine museum! Now she drops off her car at the mechanic’s shop, dressed down to Armani. Those Pirelli calendars must go, here’s some Playgirl instead. Women drivers rule! 

The screenplay for ‘a day in the studio with Sylvie Fleury’ just writes itself. Sadly, she didn’t make the film but the props are all in the show. A counterfeit Pistoletto mirror has that woman bending over a Moschino shopping bag. Designer shoes are strewn across a fake Andre tile floor. And there’s Chanel nail varnish in the mechanic’s office for his buff mate to try on.

In Fleury’s car workshop cum womenswear boutique, everything is ready-made and ready-to-wear. But you can’t touch any of it and you certainly can’t afford it. This is feminism for trophy wives and capitalist critique for the 1%. So clean, so safe, so Swiss!

notes and notices are short and curt exhibition reviews. Read more:

Miranda Forrester, Arrival at Tiwani Contemporary ★★★☆☆

Miranda Forrester



Forrester’s project is timely when foundational concepts like ‘mother’ and their ‘as-though’ counterparts are readily confused.

Soufiane Ababri, Their mouths at Barbican ★★☆☆☆

Soufiane Ababri

Their mouths were full of bumblebees


Ababri’s paintings for the Grindr generation are more cartoonish than they are from life.

Vlatka Horvat, The Croatian Pavilion in Venice ★★☆☆☆

Vlatka Horvat

By the Means at Hand


This closed circulation project speaks to and agrees with only itself.

looking to the futurepast, we are treading forward, the Bolivian pavilion in Venice ★☆☆☆☆

looking to the futurepast, we are treading forward


The contemporary is of no interest to a nation whose future is yet to be dug out from the ground.

Nick Relph, Fils, ta vision! at Herald St ★☆☆☆☆

Nick Relph

Fils, ta vision!


There’s little for the eye to hang on and none of the punk culture of Relph’s earlier practice emerges from the works.

Julia Maiuri, Yesterday & The End at Workplace ★☆☆☆☆

Julia Maiuri

Yesterday & The End


One can only imagine that some unconscious loathing of postmen motivated this project.