Who really has a say in what museums do and for whom? Will museums heal the wounds inflicted on them and their audiences by the past decade’s political, social, and economic upheavals? At what cost?
Are contemporary art museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? How should we account for the cost (in tax revenue, no least) of the philanthropist’s gesture?
We need new institutions, not new art, writes Coco Fusco. Who, if not artists, will build them? Could wind power lend an unlikely hand?
Almost fifty years separate the Paris riots of 1968 and the opening of the first WeWork office – but both events could prove useful in preparing for the next revolution in our working lives, which may have already begun.